lowbudgetfun
RSSFASHION FILM - It’s not what you think. Very funny.
(Source: vimeo.com)
Additionally, Henry says to Jane that she gave [him] a “blow job” in a movie theatre, and the entire phrasing of “blow job” was bleeped out. Not only are we normally okay with allowing that phrase, but typically when we do bleep, the first letter is left audible so viewers have some idea of what’s being said. In this case, this phrase should have been left un-bleeped.
- The Network
A New Season for the SNL Film Unit with Adobe CS6
It’s about comedy and editing. But the production schedule sounds likes hell, don’t know if I’d want this job.
Murch & the QuickTime "skin"
I find it interesting that Murch continues to edit with FCP7. His QuickTime “skin” process sounds like a interesting workaround to Final Cut’s “render after every change” limitation.
Production Audio is Ripe for Revolution
I’d add that production is ripe for revolution. Look at your iPhone/iPad and how much it does. Now look at any cinema camera and audio cart. The iPhone/iPad is more elegant in every way. I’ve never seen a camera interface that’s a fraction as good as the iPhone/iPad. And I’ve never seen a audio recorder with as little external hardware as the iPhone/iPad either.
TGD: Year One Retrospective
If you’re not reading The Great Discontent I can’t recommend it enough. The weekly interviews are thought provoking and remind me why it’s so important to express yourself through your work.
I’ve always imagined creating a magazine about the Postproduction industry and after reading the TGD Retrospective I’m more motivated than ever.
The Treatment interview with Louis C.K.
Great podcast interview. C.K. discusses a wide range of topics including editing. I highly recommend you give it a listen.
Louis CK interview w LA Times (old)
Another really thoughtful article with Louis CK
Startups, would you couchsurf Kansas City just to get Google Fiber?
As I briefly said a few weeks ago:
Widely available 1Gbps Internet access would profoundly change the Postproduction industry. If the speed and latency are to be believed, editors can connect to an Isis or Editshare from home. Imagine instant access to new media from your home office. No more sending hard drives by FedEx. No more waiting for new media.
I believe there is a lot of opportunity here for video production as well.
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